Elizabeth Shull’s work, meditative in form and process, holds a seductive steadiness that transports the viewer to a murmuring liminal space. By combining the lyrical, the narrative, and the abstract she takes you to a participatory place in order to experience wonderment and mystery in the connectedness of the natural world. Shull’s mark making, that of dialogic exploration, is her way of making what is invisible visible, merging imagination with real time in a visceral way.